New Voices

23 July - 15 August 2026

 CBD Gallery proudly presents the 3rd year of New Voices, an exhibition showcasing six emerging 2025 graduate artists from the National Art School, who push the boundaries of contemporary art-making through painting and printmaking.

As part of CBD Gallery’s ongoing commitment to emerging artists, New Voices offers a platform for fresh perspectives, fostering dialogue between contemporary practice and broader cultural narratives.


Fergus Berney-Gibson

Fergus Berney-Gibson is an artist and writer. He is interested in how the narrative of the hero’s journey can be used to cross-examine the relationships between gender and power. This enquiry is pursued through printing, casting, and photography, repeatedly returning to the processes of transference, degradation, and reconstruction. He has completed his Master of Fine Art, specialising in Printmaking. Previous education includes a BFA in Printmaking (NAS, 2020) and a Graduate Certificate in Art Curation (USYD, 2022).

Mary Benvenuto

Mary Benvenuto is a multidisciplinary artist based on Gadigal land in Sydney. She works intuitively with her materials, primarily paint, drawing media, and fabric, to express emotion, spirituality, and the human condition. After graduating with a Diploma of Visual Arts at Meadowbank TAFE (2022), Mary completed a Bachelor of Fine Arts, majoring in painting, at the National Art School, Sydney (2025). Through painting and drawing, she has developed a body of work focused on her investigation into the sensory and psychological dimensions of the sleep experience, drawing on themes of recurring dreams, complex emotions and memories. Mary's work has been featured in several group shows in Sydney and is held in private collections in Australia and Norway. She has been a finalist in the Hornsby Art Prize, the Hunters Hill Art Prize, and the 9x5 Waverley Landscape Prize.

Lei Feng

Lei Feng is a Chinese-Australian artist living and working on Gadigal land in Sydney, Australia. Working across painting, drawing, and installation, her practice explores the poetics of chance, materiality, and embodied experience through a contemporary dialogue between Abstract Expressionism and Chinese calligraphic influences. Drawing on her two-decade career in actuarial science, Lei’s work examines the tension between systems of control and unpredictability through process-driven experimentation with gesture, material, and chance. Lei holds a Bachelor of Fine Art (Painting) from the National Art School (2025) and was a finalist in the 2026 Ravenswood Australian Women’s Art Prize and Kedumba Drawing Award

Daniel He Wang

Daniel He Wang is a Sydney-based painter, mural artist, and tattoo artist whose practice explores cultural identity, mythology, and the dialogue between tradition and contemporary life. Combining academic realism with popular culture, internet imagery, and symbolism, his works examine themes of memory, power, vulnerability, and the increasingly blurred relationship between the natural and digital worlds.

Trained in the Soviet-influenced Chinese academic tradition from an early age, Wang later continued his studies in China under established realist painters, developing a strong foundation in anatomy, tonal structure, and observational drawing. This rigorous classical training continues to underpin his multidisciplinary practice.

Working across painting, murals, and tattooing, Wang brings the same technical precision and commitment to storytelling to every medium. In 2025, he was featured on ABC’s Portrait Artist of the Year, where his self-portrait was broadcast nationally. He holds a Bachelor of Fine Arts (Painting) from the National Art School, Sydney.

India Jablonski

India Jablonski graduated with a Bachelor of Fine Arts in painting from NAS. Her practice explores the underlying geometry of the landscape, conveyed through a hybridised representational-abstract composition.

“This series focuses on coastal landscapes that convey a binary of architectonic forms and organic shapes. I integrate elements of water sports such as swimming and surfing into the compositions, following my way of navigating the landscape. Through this, I’m constantly responding to dynamic weather systems or geographical changes mirrored in the blurring of linear pictorial space. Representational inserts situated within an abstract composition allows me to ground intuitive mark-making in its physicality. Derived by nature's own visual dynamism, I use this unification to push my own understanding of the world around me through a strong awareness of critical spatial, material and colour relationships.”

Fiona Verity

Fiona Verity is a British-born, Australian artist based on Sydney's Northern Beaches, of the Garigal people. She explores diverse materials in her evolving art, mainly drawing, print, and painting, often blending these to create autobiographical narratives. Her work aims to politicise women's stories and express her feelings about people, places, and objects through observation, investigation, and emotion. Her images, drawn from memory and tactile interactions, shift between abstraction and improvisation, showcasing soulful, expressive mark-making. Personal yet expansive, bold yet thoughtful, her art invites reflection. Experimenting with various tools and materials, including charcoal, ink, paint, and now sewing and thread, she uses slow, tactile processes to think, feel, and connect, stitching fragments of time into layered works that evoke place, sensation, and memory.

Verity also co-founded the acclaimed arts podcast Art W**k, which has featured conversations with hundreds of artists and creative practitioners since 2021.


Join us on the Opening Night: Thursday 23rd July 6-8 pm


  • India Jablonski, Boating Through Tea Gardens , 2026
    India Jablonski
    Boating Through Tea Gardens , 2026
    Oil on canvas
    80 x 72cm
  • India Jablonski, Looking towards Mount Tomaree from Box Beach, 2026
    India Jablonski
    Looking towards Mount Tomaree from Box Beach, 2026
    Oil on canvas
    31 x 31cm
  • India Jablonski, Take off from Dee Why Point, 2026
    India Jablonski
    Take off from Dee Why Point, 2026
    Oil on canvas
    25.5 x 25.5cm
  • India Jablonski, A Large Wave is on the Horizon, 2026
    India Jablonski
    A Large Wave is on the Horizon, 2026
    Oil on canvas
    50 x 50cm
  • India Jablonski, Rock Detail of Box Beach, 2026
    India Jablonski
    Rock Detail of Box Beach, 2026
    Oil on canvas
    25.5 x 25.5cm
  • Fergus Berney-Gibson, The Tour, 2026
    Fergus Berney-Gibson
    The Tour, 2026
    Synthetic polymer on baize, southern mahogany
    110.5 x 89cm
  • Fergus Berney-Gibson, Box, 2026
    Fergus Berney-Gibson
    Box, 2026
    Pigment transfer on goat skin, southern mahogany
    100 x 46cm
  • Fergus Berney-Gibson, Shelf , 2026
    Fergus Berney-Gibson
    Shelf , 2026
    Pigment transfer on goat skin, southern mahogany
    100 x 45.5cm
  • Fergus Berney-Gibson, Game, 2026
    Fergus Berney-Gibson
    Game, 2026
    Synthetic polymer on leather, southern mahogany
    25 x 27cm
  • Fergus Berney-Gibson, Match, 2026
    Fergus Berney-Gibson
    Match, 2026
    Synthetic polymer on baize, southern mahogany
    24.5 x 25.5cm
  • Fergus Berney-Gibson, Set , 2026
    Fergus Berney-Gibson
    Set , 2026
    Pigment transfer on linen, southern mahogany
    24.5 x 25.5cm
  • Lei Feng, 30082025, 2026
    Lei Feng
    30082025, 2026
    Acrylic on linen
    82 × 62
  • Lei Feng, 20260608, 2026
    Lei Feng
    20260608, 2026
    Aerosol, charcoal and acrylic on linen
    73 × 53cm
  • Lei Feng, 20260606, 2026
    Lei Feng
    20260606, 2026
    Rainwater, soil, aerosol, acrylic on linen
    82 × 62cm
  • Lei Feng, Reaching for the Light, 2025
    Lei Feng
    Reaching for the Light, 2025
    Acrylic on canvas
    120 x 90cm
  • Lei Feng, 18102025
    Lei Feng
    18102025
    Acrylic on linen
    120 x 90cm
  • Mary Benvenuto, the Receiving, 2026
    Mary Benvenuto
    the Receiving, 2026
    Oil on canvas
    103 x 85cm
  • Mary Benvenuto, Between states , 2026
    Mary Benvenuto
    Between states , 2026
    Oil on board
    40 x 82cm
  • Mary Benvenuto, The Lamp Tree, 2026
    Mary Benvenuto
    The Lamp Tree, 2026
    Oil and thread on linen
    45.5 x 64.5cm
  • Mary Benvenuto, Psyche, 2026
    Mary Benvenuto
    Psyche, 2026
    Oil on linen
    67 x 56cm
  • Mary Benvenuto, Restless Encounters, 2026
    Mary Benvenuto
    Restless Encounters, 2026
    Oil and tulle on canvas
    122 x 92cm
  • Fiona Verity, Filled with Care, 2026
    Fiona Verity
    Filled with Care, 2026
    Etching on muslin cloth with hand stitched embroidery
    95 x 95cm
  • Fiona Verity, Trace of Passage, 2026
    Fiona Verity
    Trace of Passage, 2026
    Etching on muslin cloth with hand stitched embroidery
    120 x 80cm
  • Fiona Verity, An Endless Way of Viewing , 2026
    Fiona Verity
    An Endless Way of Viewing , 2026
    Etching on muslin cloth with hand stitched embroidery
    42 x 42cm
  • Fiona Verity, A Passage of Time , 2026
    Fiona Verity
    A Passage of Time , 2026
    Etching on muslin cloth with hand stitched embroidery
    40 x 40cm
  • Fiona Verity, The Way Back, 2026
    Fiona Verity
    The Way Back, 2026
    Etching on muslin cloth with hand-stitched embroidery
    50 x 50cm
    Courtesy of CBDGallerySYD
  • Daniel He Wang, Cub, 2025
    Daniel He Wang
    Cub, 2025
    Acrylic on canvas
    61 x 92cm
  • Daniel He Wang, OMW, 2025
    Daniel He Wang
    OMW, 2025
    Acrylic on canvas
    102 x 102cm
  • Daniel He Wang, Pikachu and Diglett , 2025
    Daniel He Wang
    Pikachu and Diglett , 2025
    Oil on canvas
    29 x 39cm
  • Daniel He Wang, Jerboa, 2025
    Daniel He Wang
    Jerboa, 2025
    Acrylic on canvas
    30 × 40 cm
  • Daniel He Wang, Bathing Otter, 2026
    Daniel He Wang
    Bathing Otter, 2026
    Acrylic on canvas
    50 × 60 cm